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BBC评21世纪最伟大的100部电影,你看过几部?(附地址)

a requiem to a dead son. The joys and aching losses of parenting become transcendent, even Biblical, in Malick ’s hands.

在艾曼努尔·卢贝兹基镜头下的电影语言被日光照耀的斑驳陆离,充斥着滚滚岩浆、恐龙和爆炸的星体,与泽贝纽·普瑞斯纳的安魂曲完美结合,那是为死去的孩子演奏的安魂曲。在马力克的剧本中,这对父母亲的愉悦与悲伤被无限放大,甚至有些《圣经》的风格。

– Kate Muir, The Times, UK

8

一 一

Yi Yi: A One and a Two (2000)

导演:杨德昌

http://www.bilibili.com/video/av2815359/

Audiences in 2000 were astonished by how fluently Edward Yang ’s Yi Yi portrays contemporary life through the intermingling stories of members of a Taipei family separated by the dilemmas specific to their stations in life.

2000年的观众都为《一一》所震撼——杨德昌如何能将一个台北家庭中各个成员的不同故事混叠在一起叙述,却极其自然流畅地刻画出了当代生活。故事里,一家人因陷入不同生命阶段的特殊困境而互相隔绝。

Yi Yi is a reverently meticulous film, with its painstakingly detailed moods, and rituals that are seemingly endemic to the characters and their customs. Yet, it is also grandly universal. Its quiet reflections on life, love, family and death are all gracefully affecting, no matter the gap in generation and culture.  

《一一》是一部用心至极的精致电影,颇费心思地细腻抒情,当中涉及的仪式场景带有地方性特色,贴合人物生活环境的习俗。但同时,这部电影却又具有普遍性意义。不论观者与电影中的人事隔着怎样的年代与文化差异,它那极安静的、对于生命、家庭与死亡的映射都是那样美而有感染力。

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